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Earlier this morning rumor had it that Best Buy was getting—and selling—the new Sony Internet TVs as early as today. An anonymous tipster sent us some pics confirming that this could indeed be the case.
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Back in the Great Depression, and before we had third world nations to do all our icky manual labor, you had to work if you wanted to watch television. Not that there was much on (and you thought winter Saturday figure skating was bad?), but if you wanted a glimpse of the future, it required sweat, a high quality radio and some neon tubes. Also, holding your thumb against a disk to keep the picture straight, and the ability to adjust motor rheostats, whatever that means.
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Before there were soap operas and Ellen Degeneres to keep the little lady occupied while she kept house, there was a gigantic, horribly sexist robot that coldly reminded women how to properly toil in domestic servitude.
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"Entertainment has remained the most important function of the mass communication services. It is important to instruct people, but in a nervous and complex civilization like ours it is even more important to amuse and thrill them." Suck it Tom Brokaw, even the Greatest Generation needed their Jersey Shore fix. Or something like that.
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What is that, you say? The proposition of color television? Ha! A mere passing trend, flashing opiates for the masses! Hardly a reason to replace the old, trusty tube and cabinet, what with its distinguished gray tones that produce classic, distinguished programming.
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So here came small dish satellite TV, bringing the base entertainment of regional superstations into the homes of even the boldest frontiersmen. While big satellites littered crazy people's homes since the 70s in America, the smaller dishes, new wavelengths and compression technology (boring!) was new to our shut ins and shut outs. With seven regional superstations and audio channels and access to Pay-Per-View movies, a $300 fee to buy a dish (or an installation and monthly rental fee) and a $35 monthly subscription was totally a great deal!
Said By THR Television
Thirteen has proven not-so-lucky for Fox's veteran animated comedy "King of the Hill."
After several previous brushes with cancellation, the network has opted not to renew the series beyond its current 13th season.
In April, Fox picked up 13 more episodes from the 20th Century Fox TV-produced show, which are wrapping production.
A lot has changed since "King of the Hill" premiered in 1997. Its creators Greg Daniels and Mike Judge have moved on to other projects -- Daniels developed and is running NBC's "The Office," and Judge has a new animated series, "The Goode Family," launching on ABC in midseason.
Judge had continued to voice the central character on the toon comedy, alongside voiceover cast members Kathy Najimy, Pamela Adlon, Brittany Murphy, Tom Petty, Johnny Hardwick and Stephen Root.
"Hill" has been exec produced by Judge, Daniels, John Altschuler, Dave Krinsky, Michael Rotenberg, Howard Klein, Jim Dauterive and Garland Testa.
Fox is introducing two new animated series in midseason, Mitch Hurwitz's "Sit Down, Shut Up" and the "Family Guy" spinoff "The Cleveland Show."
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The other major issue is that the current version of CableCard technology does not allow for two-way communication between the device and the cable network. This means that interactive services like video-on-demand and pay-per-view can't be enabled through a CableCard slot on a TV or a set-top box bought at a retail store. This is a major issue for companies like Digeo that want to sell their devices to high-end cable subscribers. Video-on-demand is one of the fastest-growing services that cable operators offer. At the end of the first quarter of 2007, roughly 30 million homes used video-on-demand, according to market research firm SNL Kagan. Operator Comcast said that roughly 75 percent of subscribers that could get VOD used the service. "Without two-way functionality that works, it negates some of the advancements that new set-top box makers can offer consumers," said Ian Olgeirson, senior analyst at SNL Kagan. "They could deliver over-the-top content via the Internet, but I think that market is still a long way off."
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A new technology refreshes TV images at 120 to 100 hertz, or 120 to 100 times a second, versus the 60 hertz rate of typical LCDs (liquid crystal displays). This effectively doubles the number of images per second, which leads to a smoother visual presentation to human eyes. Known as motion-compensated frame interpolation, or MCFI, the technology is just starting to appear in high-end TVs. The additional images, moreover, aren't static repeats of the image that came before them. Instead, the new images are composites of two successive images. The TV's internal microprocessors try to compensate for what the additional frame might have looked like had it been inserted into the film.
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Sharp has produced a 64-inch LCD monitor that provides screen resolution four times that of normal high-definition screens. Normal HD screens have 2 million pixel points. The new Sharp monitor, which is being shown off by the company at the Ceatec consumer technology trade show in Japan this week, sports a 4096 x 2160 pixel-line resolution--double the number of vertical and horizontal pixel lines offered by a normal HD screen. This comes to almost nine million pixel points. Small details, like plumes of smoke over an aerial shot of a rural village, can be picked out. The monitor can be divided into quarters and display four high-definition videos at once.
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The high prices for these devices also militate against a worldwide launch in the near future. Panasonic's BW 200 and BW 100 Blu-ray recorders sell for 300,000 and 240,000 yen, respectively. That's about $2,500 and $2,200. Sony's player sells in the same price range. Toshiba's player sells for 398,000 yen, although HD players use less-expensive components. Ohmori, however, said that's because Toshiba puts 1 terabyte of hard-drive storage in its player/recorder. The drive on the most expensive Panasonic unit is half the size at 500GB. High-definition video gobbles up a lot of hard-drive space. A dual-layer Blu-ray disk with 50GB on it can hold six hours of HD video, a Panansonic representative said.
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In 1998, the FCC directed the cable industry to develop a physical device--now called a CableCard--containing the security functions that could be inserted into the equipment of independent manufacturers. That made sure their boxes could be used with cable systems around the country. The FCC thought this separate security device would allow multichannel video program distributors to retain control over the security function while enabling independent entities separately to market navigation devices. The cable industry has so far supplied about 200,000 CableCards for use in more than 140 models of digital cable-ready devices. But the vast majority of cable subscribers continue to use equipment leased from their cable companies.
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The long-awaited product will be $800 and available in mid-September, the company said. Subscription fees for the TiVo service are separate. The TiVo Series3 HD Digital Media Recorder has a 250-gigabyte hard drive - enough to store about 32 hours of high-definition programming or up to 300 hours of standard programming. It also sports two tuners, which will allow subscribers to record two different shows in HD at the same time while watching a third pre-recorded show.