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Pål asked 50 Cent: “How are G-Unit Records doing in these times of file-sharing?

“Not so good.” he responded. “The advances in technology impacts everyone, and we all must adapt. Most of all hip-hop, a style of music dependent upon a youthful audience. This market consists of individuals embracing innovations faster than the fans of classical and jazz music.”

“What is important for the music industry to understand is that this really doesn’t hurt the artists.”

Thats quite a statement. Organizations like the RIAA are always talking about how the artists get hurt by file-sharing but 50 Cent clearly doesn’t agree. In fact, he appears to appreciate the value of a good fan, whether he buys or file-shares his music, as he explains:

“A young fan may be just as devout and dedicated no matter if he bought it or stole it.”

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The DoJ also says that Thomas' motion ignores the fact that statutory damages are given in place of actual damages. "Statutory damages compensate those wronged in areas in which actual damages are hard to quantify in addition to providing deterrence to those inclined to commit a public wrong," argues the DoJ. It's also impossible for the true damages to be calculated, according to the brief, because it's unknown how many other users accessed the files in the KaZaA share in question and committed further acts of copyright infringement. That's significant, because it shows that the DoJ is siding with the RIAA when it comes to the issue of whether making a file available for download on a P2P network constitutes distribution. It was a contentious issue during the Thomas trial, with the jury instructions originally stating that making songs available is not the same as distribution. The RIAA objected to that instruction, and in its final form, all the jury had to do was find that Thomas made the files available.